Horizon by Carpenters
- US The Gramophone Co. 1975
Donated by Foy Nissen collection no. 14 Made in India Inner sleeve with lyrics Singer: Richard Carpenter & Karen Carpenter
Artist: Richard Carpenter, Karen Carpenter, Jim Gordon, Joe Osborn, Tony Peluso, Bob Massenger, Doug Strawn, Thad Maxwell, Red Rhodes, Tom Morgan, Earl Dumler, Joe Mondragon, Alvin Stoller, Pete Jolly, Frank Flynn, Bob Bain & Gayle Levant
Instruments Orchestra, Keyboards, Drums, Bass, Guitar, Tenor Sax, Baritone Sax, Steel Guitar, Harmonica, Oboe, English Horn, Vibes & Harp
Lyrics Richard Carpenter, John Bettis, Don Henley, Glen Frey, W. Garrett, B. Holland, F. Gorman, G. Dabbins, R. Bateman, Irving Kahal, Sammy Fain, Neil Sedaka, Phil Cody, Tony Peluso, Diane Rubin & Palma Pascale
Producer Richard Carpenter & Karen Carpenter
Side 1: SP-4797 1. Aurora (Richard Carpenter-John Bettis) Almo Music Corp/Sweet Harmony Music/Hammer and Nails Music.
2.Only yesterday (Richard Carpenter-Jon Bettis) Almo Music Corp/Sweet Harmony Music/Hammer and Nails Music.
3.Desperado (Don Henley-Glen Frey) Benchmark Music/Kicking Bear Music
4. Please MR. Postman (W.Garret-B Holland-F.Gorman.G. Dobbins-R Bateman) Jobete Music Co., Inc./ Stone Agate Music
5. I Can Dream Can't I (Irving Kahal-Sammy Fain) Chappel &Co., Inc
Produced by Richard Carpenter Associate Producer Karen Carpenter
Side 1: SP-4798 1.Solitaire(Neil Sedakha-Phil Cody) Don Krishner Music Inc/Krishner Songs,Inc
2. Happy (Tony Peluso-Diane Rubin John Bettis) Almo Music Corp/Bone Tone music/Hammer and Nails Music
3.I'm caught between goodbye and I love you (Richard Carpenter-John Bettis) Almo Music Corp/Sweet Harmony Music/Hammer and Nails Music
4.Love me for what I am (John Bettis-Palma Pascale ) Almo Music Corp. Ars Nova Music
5. Eventide (Richard Carpenter-John Betttis) Almo Music Corp/Sweet Harmony Music/Hammer and Nails Music.
Produced by Richard Carpenter Associate Producer Karen Carpenter
Horizon is the sixth consecutive platinum-certified album by American musical duo Carpenters. It was recorded at A&M Records (mainly in Studio "D" using then-state-of-the-art 24-track recording technology, 30 Dolby, and recorded at 30 inches per second). The Carpenters spent many hours experimenting with different sounds, techniques and effects.